Aerial archaeology consists of looking for vestiges of the past from the air, and then of taking photographs of anomalies, often fleeting, which are clues to sites buried beneath the soil. These photographs are carefully studied, archived, and compared from season to season.
An aerial view provides the necessary perspective for a good understanding of the landscape and of certain telling phenomena that are sometimes diffcult — and even impossible — to see at ground level. The aerial archaeologist photographs ghosts of the past that fleetingly appear, as if by a miracle, and disappear just as mysteriously. The role of the aerial archaeologist is to freeze these ephemeral appearances — the fugitive, evanescent moment of the past. The flyer learns to watch his or her feet, like those who used to search, and still do. The keen nose of the "antiquarian" of yesteryear is nothing more than a sharpened sense of observation. One can play at being an aerial photographer, but not an aerial archaeologist.
Some scientific and historical training is necessary. An apprenticeship is necessary before starting to prospect, and the serious aerial archaeologist always checks his or her discoveries on the ground, photographs in hand. The principal quality of an aerial archaeologist is perseverance, to the point of being obstinate. It is not unusual for a site to be discovered only after dozens of fruitless prospecting attempts.
A brief history of the development of aerial photographs for archaeology
Air photographs may reveal archaeological sites directly, where they are extant, or as crop, soil or other surface indications where the site is buried. Taking photographs from the air began with balloons in the nineteenth century, and has developed as a means of landscape survey during the twentieth century using aircraft, mainly aeroplanes and helicopters, and more recently using satellite imagery. One of the earliest aerial photographs of an archaeological site was taken from a balloon in 1906, and shows Stonehenge. Between the two World Wars the technique was developed by a number of British, French and German scholars in Europe, the Middle East and the Mediterranean. In Britain, the major pioneers during the 1920s and 1930s were O.G.S. Crawford, and Major Allen. During the Second World War, aerial photography was developed for reconnaissance purposes, and air photo interpretation became a technique requiring highly skilled staff. Derrick Riley, (bomber pilot and later a flying instructor at Stanton Harcourt, had the opportunity to fly extensively over the Thames Valley where he observed, and sometimes had the opportunity to photograph, archaeological sites.Many archaeologists were employed as air photo interpreters during the war, and Crawford was able to make successful requests to the RAF (during the war) for reconnaissance flights to record cropmarks (most notably Verulamium (St Albans in Hertfordshire).
For the majority of the twentieth century the majority of work focused on data capture – taking and collecting aerial photographs, although Crawford was a pioneer in making maps of archaeological sites from aerial photographs from the start. After the Second World War, and especially in the 1950s, the interpretation of the information derived from aerial photographs slowly became as important as aerial reconnaissance itself. Pioneering projects which examined the impact of gravel extraction on archaeological sites in river valleys resulted in the seminal publication A Matter of Time (RCHME 1960) and in mapping projects in the Thames Valley and other parts of Britain. The formation of the Cambridge University Committee for Aerial Photography (CUCAP, in 1949) and the RCHME’s Air Photography Unit (in 1965) provided a solid foundation for the discipline, going beyond data capture with a series of publications by St Joseph and colleagues.
Aerial reconnaissance and interpretation are now routine methods in the UK and in many parts of Europe for the discovery and understanding of archaeological sites. In England, a National Mapping Programme has been running since 1993, and there are targeted mapping projects in Scotland and Wales. Other European countries have had varying degrees of success with aerial survey, but France, Germany, Czech Republic, Poland, Italy and Britain have been particularly successful. Since 1990, and the end of the Cold War, many countries of the former Eastern Bloc are now able to undertake surveys, and aerial survey is becoming a much more widely used technique.
Types of aerial photograph
A variety of aerial photographs exist in terms of format, film types, and print sizes. The major distinction for archaeological purposes is between vertical photographs (taken by commercial companies for mapping purposes, census information, or other tasks, as well as historic verticals taken by the RAF) and oblique photographs, taken for specifically archaeological purposes.
There are many sources of vertical photographs (see Appendix 1), and national collections of historic vertical photographs are held by English Heritage, the Royal Commission on the Ancient Historical Monuments of Scotland (RCAHMS) and by the Welsh office for Wales. An organisation, NAPLIB, has also produced a directory of all holders of aerial photographs (NAPLIB 1993).There are also many collections of oblique photographs; the main ones for archaeological research are the three Royal Commissions (England, Scotland and Wales) as well as what was CUCAP but is now the Unit for Landscape Modelling. Many county councils also have collections of vertical and oblique photographs.
The distinguishing characteristics between vertical and oblique photographs are as follows:
Verticals require less geometric transformation when creating archaeological maps but usually they have not been taken in optimum conditions for the archaeological interpretation of sites. Oblique photographs are more often taken for archaeological purposes, and therefore contain information relating to archaeological sites, but the oblique angle means that to create maps a more complex transformation system (either computerised or manual) is required.
For both types of photograph the same air photo interpretation skills are required, but vertical photographs are more often capable of being used in stereo pairs. The stereo image enhances the opportunities for a confident interpretation. Oblique stereo images are taken by some aerial photographers but are less common.
The rapid developments in digital photography have meant that in the last few years there is little “film” photography done in the UK and it is predominantly digital; all the major aerial reconnaissance teams use only digital cameras. The majority of aerial photographs (until the 1980s) were taken on black-and-white film, but colour photography (for both verticals and obliques) became much more common (in either print or slide format). Infra-red (both black-and-white and false colour) films are also used but costs and difficulties in both storage and handling have meant that their use is not as widespread as it might be, given the good results. Apart from the commercial vertical survey companies, who use calibrated vertically mounted cameras, the majority of archaeological aerial photographers use either 35mm hand-held cameras or medium format cameras. (see Bewley 1993).
Mapping data derived from aerial photographs
Common practice is for digital rectification of the information contained on aerial photographs from the oblique (or vertical) photograph to a map or plan. There are a number of types of interpretative mapping data in use and for more details see the relevant websites.
paper or film formats of rectified plans derived from interpretations of aerial photographs. These have usually been created manually or via a computerised mapping system and drawn up by hand using ink on a translucent film. Scales used vary from 1:500 to 1:25,000. This type of plan represents the majority of data to 1998.
digital (rectified) plans in an interim form derived from aerial photographic interpretations. These are generally used as the basis for the above.
digital (rectified) plans which are in a final form, having been created using digital rectification methods and computer-aided design packages to create the final plan. This is standard practice throughout Britain, in English Heritage and the two Royal Commissions and in commercial mapping companies.
(unrectified) sketch plots, where the archaeological features have been traced from a photograph but no rectification programme was applied. These are few in number and should not be used for archaeological evaluation purposes.
Aerial photographs and the historic environment
The key uses of aerial photographs for study of the historic environment include:
Illustration of architectural and archaeological sites and landscapes
Recording landscape change - in rural and urban contexts
Archaeological mapping and landscape analysis
Conservation and heritage management
Taking a structured approach to photo reading will enable you to better understand a site, or landscape, and avoid missing important details that can lead to mistaken interpretations. First, look at ALL of the available aerial photographs. This can give you a view of the site from various angles, under different conditions and over a period of several years.
Earthwork sites, and cropmarks, can appear differently (or disappear) when viewed from different directions. Looking at a wide range of photographs (vertical and oblique photographs) from different years will give you a perspective on the changing landscape, condition and preservation of the sites over time.
Aerial photographs also contain many features that may mislead the unwary and make the archaeology difficult to see. Specialist staff interpret and map the archaeological information bringing together data from photographs taken over many decades.
Aerial survey projects may investigate individual sites and their immediate context or explore extensive landscapes creating archaeological maps which cover hundreds of square kilometres.